There's going to be one challenge in my project to research the cheesy, bad romantic comedies that fit all the stereotypes: I tend not to have them in my collection. I do have some movies that I consider flawed but that still have something about them that intrigues me, but the kinds of movies I need to watch are the dull, forgettable ones that don't give me a reason to want to watch them again. I guess I'm going to have to rely on cable TV and the library.
What I'm going for are what I call the "cynical" romantic comedies -- not the ones where the movie itself is about being cynical about romance, but the ones where I get the feeling that the people making the movie are cynical about what they're making. They don't like these kinds of movies, they don't understand why people like them and they don't have a lot of respect for the people who like them, but hey, they're relatively cheap to produce, with few special effects or stunts, they don't require a huge cast and you can generally just focus on getting names for the leads and fill out the rest of the cast with B-listers, and all you have to do is follow the formula and the fans will eat it up. It's the movie equivalent of the people who read one Harlequin romance (or just think they know what a Harlequin romance is) and decide that it should be easy enough to crank one of those out in a weekend because all you have to do is follow the formula, and then they'll be rich. Of course, those people generally don't get books published because either they start writing and realize that it's not that easy or their books are immediately rejected because they don't understand or have respect for what they're writing and it shows. But somehow, people who don't seem to get romantic comedy still keep getting romantic comedies made, perhaps because the people who make the money decisions in Hollywood are also cynical about such things, while the editors and publishers at Harlequin truly do love romance novels.
But what we end up with in movies is films that follow the formula but that lack heart (and often logic). We get a couple of attractive people who bicker a lot but who, for some reason, are forced to be around each other. Then we get a montage of scenes of them together set against a romantic pop song to tell us they're falling in love. Some secret comes out or some betrayal happens to drive them apart, then one of them will run frantically across town to reach the other one so they can get back together again. Sometimes they think they're being edgy and throw in what they think are twists, like moving the sex to the beginning of the relationship, relying on gross-out humor, letting the woman act more like the man, etc., but it's still the same old thing at the core. Now to find enough of these movies to pick up on enough cliches I can use in my spoof. I can probably just search IMDB for Katherine Heigl. These kinds of films have been the bulk of her career lately. HBO is obliging me by having Life as We Know It in their rotation right now. Sometimes I can count on Lifetime showing some of these kinds of things, but they're more in "my Internet lover is trying to kill me" mode right now. They mostly seem to show romantic comedies at Valentine's Day or Christmas.
It did occur to me that my wacky dream the other night about having to go back to high school sounds like the premise for a high-concept comedy, though I suspect Hollywood would make my character male because there would need to be a romance, and 40-something man with 20-something woman is standard operating procedure in Hollywood, while a 40-something woman with a 20-something man would become about the enormous age difference and how weird and creepy it is rather than about the idea of the student knowing a lot more than the teacher. I also can't think of any contrived reason for a successful author to have to take a high school English class, so maybe it would have to be college, with the young teacher being a graduate student teaching assistant leading the study/discussion group, and maybe the successful writer is self-educated but now wants the degree. Even there, I would think a successful author would be able to test out of freshman English, and universities are often willing to grant credit for relevant life experience. Being a bestselling author would probably meet a lot of English course requirements. There was a movie called Teacher's Pet that did sort of go along these lines, where Doris Day was a journalism professor and Clark Gable was a self-taught, experienced newsman who scoffed at the idea of teaching journalism in school instead of in the newsroom (reporters should start as copy boys, like he did), with a lot of ivory tower vs. the real world bickering, but as I recall, he wasn't actually enrolled in her class. He just sat in on it to mess with her.
And now I am going to force myself to enjoy a summer day. I may hit the swimming pool, and I bought a packet of Slush Puppies at Target (the ones with the juice in plastic tubes that you freeze). Other than when I taught Vacation Bible School a couple of years ago, I don't think I've had those since I was a kid, and they say "summer" to me. I will try not to think about how much better a crisp, cool autumn day would be.